- What is the story?
- Whose story is it?
- Do we care about the protagonist's journey?
- Is the story event led or character driven?
- At the end of the story, does it stay with us?
- Do we care?
Showing posts with label script. Show all posts
Showing posts with label script. Show all posts
Wednesday, 13 March 2013
Writing from the heart and for the heart
I recently organised a talk for local writers and students by Script Developer Katie Boyles and Film Producer Christine Cheung in which they explored what they look for in a good script. It was a fascinating talk and many of the observations were so relevant to novel and short story writing that I had to share a few key points. All of these are questions we should be asking ourselves when we write a story.
Sunday, 24 June 2012
Writers matter
Recent BBC 1 drama True Love, a series of 5 improvised
interconnected stories with a stellar cast that included David Tennant and Lacey Turner, highlighted one issue for me – that writers matter. A lot.
And what I noticed most of all in this series was the absence of a
writer. The lack of a coherent and intelligent script really showed and resulted in a disappointing
viewing experience. What it especially lacked was depth and pacing. It takes
more than good acting to make a drama convincing.
I also
feel it made for lazy television, a trend that has been accelerating for many
years now. A kind of reality TV
hybrid. One aspect of this is the way the
lyrics and music of popular songs are utilised to convey the emotions of the characters,
functioning like operatic arias; the difference being that an aria is specially
composed whereas the current method is to choose an off the peg song and
shoehorn it into the drama. Maybe I’m
being harsh. Sometimes this can work
very successfully, but it’s a device that can be overused and intrusive, as it was in this series. (Soap dramas Holby
and Waterloo Road are both culprits, programmes I enjoy watching, but the
ubiquitous pop song, used unsubtly, often grates….)
I
wondered why True Love didn’t work for me, when I find Mike Leigh’s dramas, which also
employ improvisation, so brilliant. Answers on a postcard please…..
Labels:
actors,
Always in my heart,
aria,
BBC,
David Tennant,
drama,
Holby,
improvised,
Jane Ayres,
Lacey Turner,
Mike Leigh,
pop songs,
script,
television,
The Beautiful Room,
True Love,
Waterloo Road,
writer
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