Showing posts with label writers. Show all posts
Showing posts with label writers. Show all posts

Wednesday, 23 September 2015

Japanese wisdom for writers

A while back, I came across an article in a writing magazine that quoted a Japanese saying about the power of quietly repeating the same activity. 

継続は力なり
Continuance is strength

It got me thinking about how daunting many tasks and projects can seem,  to the extent that we can become so overwhelmed we don't actually start, or give up halfway through.  I've been working on some really big, ambitious projects over the past few years - mostly non-writing related - and this saying really hit home.  Of course, as the author of the article, Robert Paul Weston, points out, feeling overwhelmed can be especially  relevant for writers embarking on a novel.  
"Typing that last sentence can feel so far away, you may as well be trying to scratch it out in the sands of Mars. As such, dwelling on that ultimate goal can become an intolerable distraction, perhaps intolerable enough for you to give up. If you believe in this old saying, however, the only thing to do is forget that the end even exists. Just keep going."
A profound insight, and one that we should apply to life itself. 


Article: Japanese Wisdom for Writers by Robert Paul Weston in Writing in Education, issue 65, Spring 2015
http://www.nawe.co.uk/DB/wie-editions/articles/japanese-wisdom-for-writers.html
http://www.nawe.co.uk/DB/wie-editions/editions/nawe-conference-collection-2014.html

Monday, 11 August 2014

The Writing Process Blog Tour

Thanks to the lovely Deborah Jay for inviting me to take part in the writing process blog tour, a blog relay in which each author discusses their individual writing process, and then passes the baton on. 

I first met Debby online via my blog, and recently, I had the pleasure of meeting Debby in person when she came to an entertainment evening I organised to raise funds for pancreatic cancer.  Busy Deborah is not only a successful author of fast-paced fantasy adventures featuring quirky characters and multi-layered plots but also a professional dressage rider/trainer/judge, so she is a mistress of time management! She also has non-fiction equestrian titles published under the name Debby Lush.


Her award winning novel The Prince’s Man, the first of a trilogy has been described as 'James Bond meets Lord of the Rings' - a sweeping tale of spies and deadly politics, inter-species mistrust and magic phobia, with an underlying thread of romance.


Find out more about Deborah at www.deborahjay.wordpress.com or follow Deborah on twitter @DeborahJay2 .

Read Debby's stop on the Writing Process Blog Tour here http://deborahjayauthor.com/2014/08/04/the-writing-process-blog-tour/

So here are my answers to the 4 questions:

1. What am I currently working on?
I’ve just published my latest title,  The Perfect Horse, a dramatic novel with a dark twist, and midway through the next new pony novel, which explores equestrian vaulting. I’ve finally started the sequel to Beware of the Horse, which is the most popular of all my horse books, and the sequel is called (wait for it!) Beware of the Horse 2: Angie’s Revenge.  It’s aimed at older teens and young adults, and explores the murkier depths of relationships, and the consequences of our actions. I’ve just finished a Christmas short story for Pony magazine and hope to work on a few more short stories.

2. How does my work differ from others of its genre?
This is difficult to answer as every writer has their own unique approach.  Although most of my novels and novellas currently involve horses, I do also like to explore some darker themes, which sometimes include supernatural elements (The Perfect Horse even strays into science fiction territory), and I don’t shy away from death. I hope my characters and situations are realistic and authentic, and a lovely review of one of my books says that I write from the heart.  I try to.  My stories generally have a strong emotional component. 

3. Why do I write what I write?
I enjoy writing about horses and people and their relationships, and hope my readers like what I do.  I also donate all my author royalties from my Matty Horse and Pony Adventures to the charity Redwings Horse Sanctuary.  My only non-horse novel (although I did sneak a horse in!) is called Coming Home and is about two Norwegian Forest cats, and my royalties go to charity Cats Protection. If my writing can help support these animal charities, that is an added bonus.  

4. How does my individual writing process work?
Generally, I write a one page synopsis after drafting some ideas and basic structure.  Then I map out the chapters and what they are likely to include and finally I start the writing process, often in time blocks.  This is the hardest part for me, and I still struggle to get started.  Getting the ideas and playing with them is the fun part.  I do several (often many) meticulous edits before allowing the story to be published. I am definitely a planner and the idea of simply writing without knowing where it will go freaks me out!


I'm passing the baton on to short story writer Linda King, who has been published by Woman's Weekly (kudos to you, Linda.  I've been trying to get a story accepted by WW for over 20 years!) and also writes stories under another pen name which are published by Xcite Books. She is currently writing a novel.

Her blog is the wonderfully titled http://excusemewhileinotethatdown.blogspot.co.uk/  and she is taking part in the blog tour on 18th August. 


Sunday, 27 July 2014

Saturday Schools for Writers in Canterbury during Autumn 2014

There are some terrific Saturday Schools for Writers as part of the community and adult education programme at Canterbury Christ Church University throughout the Autumn, which offer amazing value and a range of fascinating topics.

On 11 October, writer April Doyle will be offering another of her very popular day schools on Starting a Novel. If you have a great idea for a novel or you’ve started to write one but you find yourself stuck in a rut, this day school will explore developing characters, plot, structure, theme, atmosphere and imagery, using examples from published authors. The focus is on generating ideas so that, by the end of the day, you’ll have lots of material to take away with you for your work in progress.  Book early for this!

25 October offers the first in an innovative series called Music for Writers 1: Love, War and Trains - poetry, verse drama and music. This Day School will be of interest to creative writers and music enthusiasts, and anyone intrigued by the way that words and music can be combined to create drama and emotion. The vivid and imaginative use of language is explored and discussed using a variety of dramatic works that include Samuel Beckett’s Words and Music, and atmospheric verse dramas for radio that include Under Milk Wood by Dylan Thomas and the extraordinary Love, War and Trains by celebrated author Ian McMillan. Ways that writers, poets and composers work together will be studied and celebrated.

Music for Writers 2: Emotion, Music and Moving Image follows on November 22.  How is music used to express and convey emotion and atmosphere when combined with the medium of film? What is the relationship between sound and image? Using case studies that include films such as The Go-Between (Joseph Losey), Last Year in Marienbad (Alain Resnais) and Alfred Hitchcock’s Rebecca and Psycho, these issues will be explored and examined.

And my next Canterbury Saturday School is The Business of Writing 1: Getting Published on November 1st, which offers tips and advice on both being traditionally published and going down the independent route of publishing e-books via Amazon. Marketing, selling, agents, publishers, blogging and social media are all discussed, as well as the future for writers and publishers in a digital age.

I love teaching and sharing what I've learned, and my last 2 day schools had great feedback so if you fancy joining us (or know someone who might) do share. Thanks  
See link for more info.  

All Day Schools cost £29.50.  
To book please contact April Doyle via email to education.communityarts@canterbury.ac.uk or by phoning 01227 863451

Tuesday, 3 June 2014

Spinning a Yarn and Weaving Words

Detail from quilt made by my aunt, Brenda White (photo Jane Ayres)

The origin of words fascinates me.  And I discovered a new one recently - etymology - which is the study of the history of words, their origins, and how their form and meaning have changed over time.   We often use words without really thinking about the way we are doing so.  They can be rich in symbolism.  

A casual conversation got me thinking about the relationship between words that describe sewing, embroidery and the process of writing, so I did some exploring. Apparently, "text" derives from textile.

Latin textus "style or texture of a work," literally "thing woven," from past participle stem of texere "to weave, to join, fit together, braid, interweave, construct, fabricate, build *

*from http://www.etymonline.com/index.php?term=text


We talk of weaving words and spinning a tale (where the term "spin doctor" originates?); we refer to the fabric of a story, the strands and threads.  A story can be a yarn, a tapestry of words. 

Spinning a tale, a tapestry of words.  And of course, a tapestry tells a story that can be communicated without the need for a knowledge of reading and writing. 

Humans have a profound need to tell their stories, by whatever means. 

Related post: http://janeayres.blogspot.co.uk/2014/04/life-stories.html

Thursday, 15 May 2014

Word Count Podcast: short stories read aloud!

You can now HEAR one of my short stories, read by the wonderful Lisa Payne, on The Word Count Podcast. I'm totally chuffed about this as I am in company with 8 brilliant writers. Please check it out!    http://thewordcount.libsyn.com/the-word-count-episode-40

Here's the list of stories (mine is called Finders, Keepers).

"Glass. Bed. Bow."
This weeks show challenges our Word Count Irregulars to weave a tale around three words.  Nine fabulous authors were up for the challenge and we are happy to bring you the largest number of stories in a single episode of the Word Count since its humble beginings.
Host: R. B. Wood  Show Notes: www.rbwood.com
Our Guests:
Eden Baylee "The Final Countdown"
M. A. Fink "Living in a Bubble"
Jane Ayers "Finders, Keepers"
C. Thomas Smith "El Chupr’aw Who Gives A Shit"
Cameron Garriepy "Calm as Glass"
M. M. Tosen "Caprice"
Matthew Munson "Glass"
Kasen Seton "The 3rd Division"
Bill Kirton "Princess"
Direct download: TWCep40.mp3

And for more info on the writers featured go to http://www.rbwood.com/index.php/rbwood-blog

Saturday, 12 April 2014

Words from Kent's Coast: A writer in Folkestone

Peter the seagull, a regular visitor to my balcony when I lived in Folkestone: photo Jane Ayres

I was delighted to be invited to write a piece for Kent's Creative Coast in which I share my favourite places in Folkestone, and reveal the inspiration it provided for my teen novella Joyrider and, more recently,  an article about William Harvey - "the father of modern medicine."  Click link below to check it out.

/http://www.kentscreativecoast.co.uk/a-view-from-folkestone/

Related links:
http://janeayres.blogspot.co.uk/2014/01/history-harvey-and-folkestone.html

Thursday, 20 March 2014

Day Schools for writers in Kent

I'm running 3 Saturday Schools for writers in Canterbury, the first on 29th March. Details and booking info below - only £27.50 each day school!  

Self-publishing your e-book on Amazon 
Saturday 29 March, 2014.  10am-4pm at Canterbury Christ Church University
Writers are self-publishing for a variety of reasons and this day school explores the basics of indie publishing; you create, produce, promote, sell: you are your own publisher.  In the past, writers created and publishers produced, promoted, distributed and sold your work, generally paying a small royalty and (less often now) an advance.   Publishers and agents were the gatekeepers. The major obstacle for independent publishing was access to distribution channels.  All that has changed and if you self-publish with Amazon, you can keep between 35% - 70% of your royalties. But many writers are intimidated or confused about how to do this – losing a wonderful opportunity to distribute their work to a global readership.
With inside information from an experienced professional writer who is both traditionally and indie published, this day school guides you through the process step by step, dealing with issues such as formatting, pricing, cover design, author pages and book blurb. Whether you want to publish for personal satisfaction or to earn income, this is a chance to find out what is involved so you can do it yourself.

The Business of Writing 2: Making Words Work
Saturday 26 April, 2014.  10am-4pm at Canterbury Christ Church University
Unless you are writing for a hobby, it’s a business.  This has given rise to a new title: authorpreneur.
This day school explores and discusses income streams for writers and ways of “monetizing your output” as a writer, including competitions, residencies, workshops, talks, readings, speaking, copywriting, editing, and coaching. We will also look at organisations that exist to help authors, the role of an agent and issues such as contracts, fees and royalties, as well as pitching to agents and publishers.
Finally, we examine managing and costing your time, an essential aspect of being a successful freelance writer.  What are you worth? What are the time vampires and how do you combat them?  How do you stay motivated?  We will look at each of the following topics which address the reality of being freelance, such as working methods,  environment, deadlines, setting targets (financial and personal), the importance of forward planning, recycling work and pen names. The session will also cover building your writing portfolio and creating a marketing plan.   

The Business of Writing 3: Now you see me – how writers can stay visible
Saturday 10 May, 2014.  10am-4pm at Canterbury Christ Church University
With more opportunities than ever before for writers to get their work out to a public readership, how do you stay visible? Is an author also a brand?  And what does this mean for a writer? How do you promote yourself?
We will explore ways writers can stay visible, including author websites, book trailers, blogging and blog carnivals, social networking, book signings and launches, readings, interviews, visits, getting reviews, and ways to showcase your work. What is most effective?
We will also look at creating a personal promotion plan.

About the tutor
Born in 1962, Jane had her first short story published in a UK magazine at age 14.  Since then, 30 novels for teenagers plus over 200 short stories, poems and articles have been published internationally and translated into 9 languages. An award-winning writer, Jane has given talks on radio and to writers groups and regularly delivers writing workshops to schools and adults. She is a member of the National Association of Writers in Education and a qualified writing coach.  For more information go to www.janeayres.blogspot.co.uk

All Day Schools cost £27.50.  To book please contact April Doyle via email to education.communityarts@canterbury.ac.uk or by phoning 01227 863451


Sunday, 2 March 2014

A publishing revolution?

"53% of titles on the ebook genre bestseller lists were either self-published or from a single-author publisher, accounting for 43% of daily unit sales, compared to 34% of titles from one of the "big five" publishers."

This quote comes from a recent piece in The Guardian and there is a lot of controversy about the result of the survey and report from author Hugh Howey, and whether or not indie authors and e-books are doing better or worse than trad pubbed writers, but this is a report that writers should be aware of.  And there is no question that there is a publishing revolution, and that this is an exciting time for writers. Check out this article in The Guardian to get several perspectives.....

http://www.theguardian.com/books/2014/feb/14/hugh-howey-author-earnings-self-publishing-revolution

Saturday, 1 February 2014

Shorter forms: how popular are novellas?

A recent article in The Telegraph suggests that novellas will gain in popularity thanks to the invention of e-readers. I hope this will prove to be the case.  I'm a big fan of shorter books - both as a reader and a writer.  Most of my fiction for children and teenagers is between 19,000 to 30,000 words and I have great respect for anyone who can sustain a story for 100,000 words.  However, I've read other articles that claim that readers much prefer to read longer novels, and indeed I have had this feedback myself from readers who have enjoyed my work but were disappointed it wasn't longer - which can be interpreted in both a positive and negative light.  I suppose my ideas just don't (so far) lend themselves to a longer form.  

One of the great aspects of indie publishing is not to be constrained by often prescriptive word lengths.  And the rebel in me has always rejected the idea that a short story/novella/novel/blockbuster SHOULD be a specific word count.  Why?  Who says? 

Shorter lengths definitely lend themselves well to the experience of reading on an e-reader.  So, what do writers and readers think?  Is less really more?  Or is bigger, better?

http://www.telegraph.co.uk/culture/books/booknews/10593535/E-readers-A-new-chapter-in-the-history-of-the-novella.html


Related post:
http://janeayres.blogspot.co.uk/2013/05/does-size-matter-lydia-davis-wins-man.html



Sunday, 24 November 2013

The Fussy Librarian - great resource for readers and authors!

My book Beware of the Horse is being featured today at The Fussy Librarian, a new website that offers personalized ebook recommendations. You choose from 40 genres and indicate preferences about content and then the computers work their magic. It's a great idea - for readers and authors -- do check it out! 

www.TheFussyLibrarian.com

Thursday, 22 August 2013

Sunday, 18 August 2013

The Vision and the Voice Part 1 at Creatabot

Today I'm over at the brilliant arts webzine Creatabot, discussing the writer's voice - what it is and how it evolves (or not!)  - and drawing comparisons with the singing voice.

"If I admire a writer, it will be for two reasons.  Firstly, their vision and the ideas expressed and explored.  I came to sci-fi late in life but I am astonished by, and drawn to, visionaries such as Asimov and Philip K. Dick and their prophecies.  Secondly, I am attracted to elements of style, structure and craft.  Sarah Waters, Lydia Davis, Mark Haddon, Frank Cottrell Boyce are wonderful examples.  You don’t always find vision and execution in the same piece of work but when you do, it is sheer joy....."

(Click link to read on)
http://creatabot.co.uk/2013/08/13/the-vision-and-the-voice-part-1-by-jane-ayres/

Friday, 2 August 2013

What do running and writing have in common?

I recently came across an excellent piece about running and writing in Ideas Tap, in which the writer Luiza Sauma looks at the parallels between the two pursuits.

"Writing is a lot like running. Both take enormous amounts of will power and stamina. Both are rather solitary. The more you do them, the better you become. Running and writing are activities that many of us dread, but once we’ve got going, they can fill us with joy, excitement and lust for life."

Click below to read the complete article. 
http://www.ideastap.com/ideasmag/all-articles/write-now-writing-and-running
I've written a few posts about the connections between writing and running. So what do I now think they have in common?

First and foremost, they are HARD. Really hard. Well, I find this to be the case. Don't get me wrong, I enjoy both running and writing and they compliment each other well. Running is great for allowing head space to create and ferment ideas. Running also gets you away from the desk and laptop, which ensures you get fresh air and move your limbs. Otherwise you would be glued to the chair for hours on end until your body seizes up.  I have sometimes had 12 hour sessions at the desk - not very healthy.

In an ideal world, I plan to structure my day around running and writing but have not achieved it consistently.  I have short bursts where I do manage it and then I feel really pleased with myself - especially if I get up at 7am, enjoy the relative quiet of the world and make my heart work and then, after showering and eating porridge, I still have the rest of the morning to get on with work. 

Related posts:
http://janeayres.blogspot.co.uk/2013/07/thinking-it-and-doing-it.html
http://janeayres.blogspot.co.uk/search/label/running

Sunday, 28 July 2013

Thinking it and Doing it

Having crossed the scary bridge on Sark. (Picture Roger Hyland)

Thinking it and doing it are two very different activities.  Thinking it is fun.  Doing it is graft. Why is there such a big gap between imagination and action and why is that bridge so hard to cross?
 
I love learning.  Learning new stuff is exciting, a voyage of discovery.  Then there’s putting into practice the things you’ve learned.  That’s harder.  In some cases we never make that transition from learning it to doing it. 

So why is that?  Is it laziness?  Why am I stopping myself from doing the things I tell myself I want to do?

When I was a child I decided to be a writer.  And I just kept writing, so I was a writer. I worked hard.  I kept going. Eventually,  I became a published author.  Why can’t I transfer this determination to other things I want to do? 

I gave up singing because I never practiced enough between lessons, but I still fantasised about singing in concerts and shows, pictured myself standing there and wowing the crowd.  Ha!  Recently I had a lesson after a 20 year gap.  I loved it and got a real buzz, and I’ve started to think about all the songs I want to do but have I practised?  I think you know the answer. 

Today I went for a run.  I’m making exceedingly slow progress considering I took it up over a year ago.  I frustrate myself with my lack of willpower, still picturing a future me with a svelte frame and bags of energy.  The health benefits should be motivation enough.

It’s not that I don’t run, or never practised at all.  I’m inconsistent with my efforts and all too easily make excuses for myself.

So, back to the writing.  Well, now I apply the same lack of consistency to this, too.  Marketing is fun.  Blogging, part of the marketing, is also fun.  Writing a novel is hard work. I compare writing a novel to building a house.  Laying the foundations, stacking the bricks – that’s hard slog.  But decorating the house – that’s the fun part.  Like promoting the novel.  It’s great to play with categories and tinker with search keywords, and experiment with social media.  More fun than laying bricks.

I’m not playing down the importance of marketing – I love marketing and it’s been my job for over 25 years.  I just find it easier than writing a novel.  That’s how I see it. 

Do you prefer building your house or decorating it?

Related post: http://janeayres.blogspot.co.uk/2013/03/the-art-of-time-management.html

Friday, 26 July 2013

Exceptional Horsemanship from Lauren Woodard: Guest Blog Post

Today I'm really thrilled to introduce fellow horse lover, writer, teacher, trainer and owner of Exceptional Horsemanship Lauren Woodard - all the way from Phoenix, Arizona!  That's what I love about the internet - being able to connect with so many wonderful people - and I met Lauren via Linked-in.  I'm always amazed how incredibly busy folk manage to fit everything into their lives - and write too - since I struggle with my writing routine.  So, I asked Lauren a few key questions about this...


What 5 things couldn’t you do without for your writing?
1) The main thing for my writing is both a blessing and a curse. My daily exposure to the plethora of issues, problems, challenges, skills needs, concept understanding (or lack thereof) and growth of horse and human in this horsemanship business.
The list of stuff to write about grows ever longer each day. I write a sentence or two of what happened during lessons and training so the concept can be explored further in my newsletter, training blog, fb post and books. I will never get to the end. There will never be an end.

2) Laptop – I’m learning how to get more comfortable on it as I generally write on legal pads.

3) iPad – jotting down brainstorming ideas everywhere, everyday.

4) Colored gel pens – I love the feel of them gliding along drooling purple, turquoise, orange and green ink.

5) My herd. My physical, mental, emotional and spiritual stability – not to mention their host of stories.

How do you fit it all in?
I don’t. I’ll never be done, I’m constantly re-prioritizing and even though I know this, I add more to do every day. Ah well. Life. I never have been and will NEVER be bored.

What about your new book? Why did you write it?
I was in the middle of writing what I thought was going to be my next book called, Horse Tricks, Like Leading. I wrote two blog posts called Balky, Balky, I Ain’t Goin’ and Into the Burning Building and got a whole bunch of emails filled with stories from folks asking what to do with their balky horse. I realized that this is something that happens to everyone, pretty much every day in some aspect or another and people not only didn’t know what to do, but were actually taught to do something that works out a lot better for the horse than the person.

What about marketing?
Well, that’s a subject vast in scope. Like horsemanship. And it’s taken me quite a while and a lot of studying to begin learning how it fits with me, my time and my idea of what I want. It doesn’t matter how good your book is if no one reads it. Just because it’s available on Amazon doesn’t mean it will sell. I’m a bit quirky. I love what I consider “good titles”. But they won’t fall into SEO keywords. I have, however, come to grips with the fact that I won’t have a best seller. Not only that, I believe I’m creating a new niche in the small niche of horse books. A niche within a niche—yeah that’s popular! That probably reduces my sales even further until folks read my books and realize just how valuable this special info is and that no one else is putting it out there. I’m here for the people that really want to explore and grasp the concepts of exceptional horsemanship that not only aren’t in books but also, generally aren’t even taught by trainers and instructors.

I am finding out that facebook is a huge tribe builder asset. People don’t like to be sold to, but they like to find out about you and then be able to check you out, get the free training newsletter and frequently end up with friends who find you. I realized a few weeks ago that I hadn’t posted anything about my book Curbside Service on fb in a year, so I put in a short blurb and sales perked up. It’s nice to be able to track clicks, too.

My goal is to keep building my email list through newsletter sign-ups and eventually figure out some sort of membership site to advance people’s horsemanship for those who want to be exceptional.
I also have books available at demo’s and clinics that I do and it’s just a blast to have people write to me or post on fb how much my book has helped them and their horse.

When it comes to fiction, who do you like to read?
I’m a murder mystery kind of girl. I also like the espionage/action adventure stuff of Daniel Silva, Dan Brown, Lee Child and I’m a serious Harry Potter fan. I’m usually reading about 4 books at a time including horse books, psychology, marketing, cookbooks (I LOVE baking and cooking) and something in Spanish (I’ve been studying that for 15 years).

About Lauren:
Lauren tackles the concepts of horsemanship that are ignored both in print and in lessons and training. She says: “I'm extremely resolute on two aspects of everything: only the best quality skills and I adhere to exacting standards of precision. Attention to both is what makes the difference between good and exceptional in horsemanship.” Yet a necessary component for Lauren includes fun as in funny and witty repartee.

If you want to be “…mostly like no one else” check out the site at: exceptionalhorsemanship.com

Wednesday, 17 July 2013

Writing the Characters We Like (to Read About?)

Writer E. A. Durden, in an article for Glimmer Train, says, “A gulf yawns between the stories I love to read and the stories I write. I see it every time I work on a draft. My fundamental problem: I want my fictional characters to be liked. I make them too nice. Decency is the scourge I must arm myself against.”

I think many writers would identify with this. I enjoy reading about characters who are complex, conflicted, flawed, and, sometimes, not especially nice!  We are fascinated about gaining insights about the human experience.  Life, loss, hope, dreams.  We all experience these.  Some of the writers I most admire explore dark subjects and amoral characters, tackling aspects of the human psyche that can be difficult to confront.  Yet I have an innate anxiety about writing in this way.  It scares me.   

I have done it a few times in several short stories for adults – but when I read back over them, sometimes I’m left feeling uncomfortable that such characters and plots came from my imagination. Like I am responsible for their actions. Which, since I created them, I am.  All very baffling.  Maybe I’m worried that the people I know will judge me negatively if I create monsters? If you can offer any insights I would be interested to hear them.

Anyway, thanks to the wonderful http://janefriedman.com/2013/07/02/the-problem-with-overly-nice-characters/ I recently read and enjoyed 2 excellent pieces that explored issues such as these. 

Is what you like to read different from what you write about?  Does this mean anything?  Can our understanding of this inform our work as writers?

Sources:

 Related posts: 


Monday, 15 July 2013

Now you see it……book visibility, categories and Amazon ranking

Yesterday I spent 2 hours checking that the categories for my kindle books were the most appropriate and this resulted in changes in most cases.  I did the same for my search words. There was a reason for this.  One of my titles is selling much better than the others.  MUCH better.  And I still don’t know why. It is certainly more visible than the others – is this because it is selling better or is that why it is selling better?  Chicken or egg?

Beware of the Horse is ranked 12,476 of all paid books in the Amazon UK kindle store, which is fantastic. This means that it ranks 32 in the top 100 kindle store/books/fiction/children’s fiction/animals, which is turn means that it shows up on Page 2 of the top kindle books page in that category. For a while it was in the top 20, so was on Page 1. 

In the US, it ranks 40 in a similar list, so still appears on Page 2 (just) and its overall ranking in the kindle paid store is 30,867.  I pretended I was a reader searching for the book and clicked on some of the search options. For Children’s Horse Books, which yields 7234 results, it appears on Page 1. For kindle store/horses it is on Page 1 in the centre of the 2nd row. Very noticeable! And in kindle store/ebooks/teen & YA/literature/fiction/horses it is the first book on Page 1 of 266 pages. Before War Horse, which is the second book!  Before you get too excited (I did!) this ranking is in terms of search relevance (not popularity or sales!!). Even so, in terms of visibility, this is a great result.

Yay! You’d think I would be a millionaire by now (ha ha!) if you knew nothing about the publishing process and the mysterious Amazon algorithms. Clearly, I’m not – you only have to look at the overall ranking of the book in the US, ie 30,867 to realise that.  

However, it does make you understand how important the categories are.  I wondered if the fact that the book appears in the Teen and Young Adult category for horses, which only lists 263 books in this group, as opposed to 798 for children’s horse books, is significant. 

To put this into context with my other books, which I promote more actively, the rankings as of yesterday (they change hourly) in the Paid in Kindle store are as follows:

Title                                                                                  Amazon.com             Amazon UK
Coming Home                                                                        423,201                 76,745
Matty & the Moonlight Horse                                          338,972                 85,325
Matty & the Problem Ponies                                             659,019                 48,935
Matty and the Racehorse Rescue                                    727,973                 57,135

You will understand why I am so pleased about the ranking of Beware of the Horse by comparison – and the enormous challenge of selling any books at all when the competition is immense – especially on Amazon.com, which is a much bigger pool.  Since I donate my royalties from the Matty Books and Coming Home to animal charities, I have a powerful incentive to drive sales.  The Matty series was the first I published, when I still had even more to learn than I do now, and sales were steady for the first few months but are now dropping off. When I checked the categories I had selected it was fiction/general and juvenile fiction/general, which is not exactly making the best use of my available choices.  There are only 2 categories for authors to select, but there are sub categories within some of these, so I have changed to Juvenile Fiction/Animals/Horses (which I chose for Beware of the Horse) and the second is now Pets/Horses for one title and Sports/Equestrian for the others.  Phew! I will monitor sales and see if this makes a difference. 

Visibility of the titles when you put horses or ponies into the search bar isn’t too bad for the Matty series.  However, I am really struggling with Coming Home, my cat story, which simply doesn’t appear for pages when you put cat or cats in the search bar.  I’ve tweaked my search words and changed one of the categories.  But I think the main problem is the fact I don’t have the word “Cat” in the title of the book.  Realising this after publication, I added a sub-title (The Journey of Two Special Cats) which helped a bit, but I will have to change the title of the book if visibility doesn’t improve.  (It did have a sales spike, after some frenetic promotion, but unfortunately this did not last long, despite the book having great reviews).

I have more marketing ideas and plans for all the books, and it is still very early days, (I’ve not had a complete sales year yet with any of the titles so far) and I’m determined to raise lots for the charities. 

What I love about indie publishing is the fact that you can monitor your sales and if you aren’t satisfied, you can take action. It is this element of control that I enjoy, and finding ways to get round obstacles. 

Recommended reading – Let’s Get Visible: How to get noticed and sell more books by David Gaughran.  More than recommended – this book is a must for indie authors and anyone interested in marketing for writers. I refer to it constantly. 

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Tuesday, 18 June 2013

Hitting 1000

Apparently, most blogs have an average of  less than 1000 views monthly and lots of writers give up blogging and become disillusioned.  Perhaps that is connected with the fact that most writers need some form of validation, be this publication or readers, or some other form of recognition.

I can understand this and there are plenty of times I've nearly given up.  However, looking back to the time when I set up the blog, when I had about 10 views a month, and to the present time, when I average 1500 I do feel that the hard work is worthwhile.  And above all, I enjoy blogging.

Below are links to some great posts about writing and blogging.  I especially enjoyed Nathan Bransford and his observations about writers and vlaidation and striving.

http://blog.nathanbransford.com/2011/02/writing-striving-and-great-gatsby.html

Thursday, 9 May 2013

Losing your writing mojo?

In previous posts I have mused a little on the importance of a writing routine and self discipline.  I came to the conclusion that it's important to have both.  For a while now, I have had neither.

I won't bang on about this, as I don't have any solutions, suffice to say that by building some routine into my day (by starting early with a run) I am hoping this will kick start things.  Soon.

This, in turn, may improve my motivation, because I have felt, for some time recently, that the lifelong passion I have had for writing has temporarily left me.  The positive from this is my renewed passion for reading.

So, without further ado (what a lovely expression) I am going to refer you to a couple of pieces by others that throw light on the subject.

The first is a piece in the Guardian:
http://www.guardian.co.uk/culture-professionals-network/culture-professionals-blog/2013/apr/26/creative-change-passion-career-advice?CMP=

The second is by my friend, photographer, writer and artist Jan Woodhouse on the importance of routine and how this relates to our sense of achievement.

"I think I’ve always undervalued routine. Nowadays I’m finding that – at the very least – it rescues me from having that ‘nothing achieved’ feeling at the end of the day. And, at best, in focusing my mind, it somehow frees me to be more creative and imaginative rather than less."
Check out the full article on her perceptive blog http://www.artatwoodhouse.co.uk/blog/index.php

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Sunday, 31 March 2013

Carnival of the Indies - a rich source of information for writers

I'm thrilled that 3 of my recent posts* have been included over at The Book Designer for the Carnival of the Indies.  The Carnival features a list of fabulous blog posts from a huge range of writers, full of excellent and useful advice and insight.

Do check it out:
http://www.thebookdesigner.com/2013/03/self-publishing-carnival-of-the-indies-issue-30/

*The posts are
Lessons in Indie Publishing: Free books and the mystery of Amazon rankings
The Business of Writing: Part 1
Are chapter titles an under-used marketing tool for writers?